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The Complete Art of World Building (Hardcover)

The Complete Art of World Building (Hardcover)

4.6 Stars, 72 Amazon Ratings (as of 1/2024)

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Creating a unique, immersive setting one world at a time

A guide for authors, gamers, and hobbyists

The Complete Art of World Building brings together volumes 1-3 in The Art of World Building series. This how-to guide will make readers a master of inventing imaginary worlds and help a setting stand out from the multitude of fantasy and SF worlds audiences see.

Creating Life (#1) teaches readers how to create gods, species/races, plants, animals, monsters, world figures, and even undead. Creating Places (#2) teaches how to create planets, moons, continents, land features, bodies of water, sovereign powers, settlements, interesting locales, and maps. Learn the different government types, how climate impacts vegetation, and consistently calculate how long it takes to travel by horse, wagon, sailing vessels, dragon, or in space. Cultures and Beyond (#3) teaches how to create cultures, organizations, armed forces, religions, the supernatural, magic systems, technological and supernatural items, languages, names, and various systems our world will have, from health, educational, legal, and commerce, to information systems.

The series draws on author Randy Ellefson’s quarter century of world building experience and will quickly turn a beginner into an expert, making a time-consuming project more fun, easier, and faster. Ellefson shares his experiences, lessons learned, and insights, including how much of your creations can realistically be mentioned during storytelling, how far creators should go, and what the benefits/risks to each approach might be. Elevate your work above the competition.

Build better, faster.

Endorsement from Ed Greenwood, inventor of The Forgotten Realms and dozens of imaginary worlds

"Worldbuilding—creating a fictional setting—is THE biggest job of a storyteller. It can be done badly or minimally, but doing so risks robbing a tale of richness and impact, by leaving the audience uncaring or making “the stakes” less clear or dramatic.

So, after “once upon a time,” where to begin this devastatingly big job? With CREATING LIFE by Randy Ellefson, even the first volume of which is THOROUGH. This book raises ALL the points, and asks all the questions. Not just recommended: essential!"

"With CREATING PLACES, Randy Ellefson has penned a sequel to his CREATING LIFE that walks story creators through worldbuilding along an entertaining road that runs everywhere, making sure nothing is missed. Plentiful examples are provided, and a veteran worldbuilder can find just as much fun and comprehensive reminders in these pages as a novice. Some books are nice to have, and a rare few are “must haves.” Like Ellefson’s preceding book, CREATING PLACES is one of that rare breed: an essential reference work. Unlike most references, this one is fun to read. Not to mention a goad and spark for the imagination!"

In Cultures and Beyond, Randy Ellefson continues his masterful overview of worldbuilding, carefully and coherently dealing with every last detail of creating and tending imaginary settings that his previous worldbuilding books, Creating Life and Creating Places, haven’t covered. All three are essential reference works for storytellers working in all fields; more than any other approach to these topics, Cultures and Beyond and its prequels ensure that nothing is overlooked or missed. Ellefson is a master of this craft, and it shows. Highly recommended!

Endorsement from NY TImes Bestselling Author Piers Anthony

"I read Creating Life (The Art of World Building, #1), by Randy Ellefson...It is exhaustive, well written, and knowledgeable...I, as a successful science fiction and fantasy writer, have generated many worlds, so this material is familiar, but it would have been easier and probably better had I had a reference like this. It is realistic, recognizing that the average writer may not have the patience to work out all the details before getting into the action..."

"Creating Places also has advice along the way on writing that I'm sure novice writers and perhaps some established ones too can profit from. I recommend this book as a basic reference; at worst it is a review of necessary concepts, and at best it will upgrade you from a mediocre speculative fiction writer to a superior one."

I read Cultures and Beyond, The Art of World Building 3, by Randy Ellefson. I reviewed the prior two volumes, Creating Life and Creating Places, when they were published. Each volume is a comprehensive discussion of its subject, useful for new writers and surely for established ones too. I have been writing and selling novels for more than half a century, and I have been learning things here. I recommend all three for background reading for those who are serious about the worlds they create. The present volume is amazingly informative about the several aspects of culture, covering armed forces, religions, supernatural aspects, languages, and everything in between. It even lists all the American military ranks. Take a supposedly minor aspect, creating names. I have a small collection of books of names, which I use for my characters, trying not to duplicate myself too often, but I see I am an amateur in this respect. Naming names can be a science! Every section of this volume is similarly detailed. I am not sure whether reading it would cure the dread Writer's Block for those who suffer it, but if a writer runs out of inspiration, reading this book well might restore it. Certainly it should be on the shelf, as it were, ready to check when uncertainty threatens.

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Chapter 5 - Defining Monster
We all know what a monster is, but since we might be creating species and animals, too, let’s be clear. The term im-plies something harmful, unnatural, and morally objection-able, whether there’s a physical deformity or psychological one. Monsters aren’t real, of course, and are created by storytellers, usually to depict or highlight some of the above, sometimes as a warning. They are often a freak of nature and can result from birth defects, in which case it was something else, like a human, before being regarded as a monster by horrified onlookers. Their existence has often been thought to foreshadow something evil happening, which is one reason they are cast out.

In science fiction and fantasy, the word “sentient” is used to describe creatures that are human-like in their mental capabilities, even though that’s not what the word really means. Due to this convention, this usage will be retained herein anyway. The real definition of sentient only includes the ability to sense, feel, and experience, which means an animal is technically sentient.

As a side note, with space traveling characters visiting new planets, what they might term a monster at first might turn out to be an indigenous animal. Either that, or it’s a member of a species that might’ve been stranded, for ex-ample, and terrifies those near through no fault of its own except appearance, and it’s assumed to be a monster.

Monsters vs. Species

The difference between a monster and an intelligent species is arguably their minds. A humanoid species is typi-cally sophisticated in having what humans have: society, culture, philosophy, and other aspects that distinguish us from animals. This is a generalization, but monsters don’t typically have these things, or at least, not in a way beyond that of animals. We can argue, rightly, that animals like dolphins and apes have a certain social structure, but these are communicated as much with body language as verbal-ly. Any language is fairly limited compared to mankind. They don’t read and write or pass down long histories. A generation today likely has no idea what was happening one hundred years ago, though this is admittedly conjec-ture.

None of this means we can’t have an intelligent mon-ster, but once we start giving a monster these things, it starts moving in the direction of humanity. We may find ourselves deciding that our monster is very cool and could be more useful, so we turn it into a species. No harm in that. Dracula is a good example of a smarter monster, but while he is a vampire now, he was once human. This is also true of zombies, who are typically portrayed as relatively stupid. We can use a similar approach (the monster was once human) to explain our monster’s sophistication.

Does monster automatically mean unsophisticated like an animal? In fantasy, SF, and gaming, yes. They’re typical-ly portrayed as things that can’t be reasoned with when one corners us for dinner or we wander into its territory. In this sense, they’re just like animals. We likely can’t communicate verbally with it, either, but that’s not a rule either. We can teach pets to understand what words mean, but that involves frequent time together, a reality that would make someone no longer think of the monster as such, most likely. This raises the idea of most people think-ing it’s a monster but one person having befriended it, which has been done with children’s stories.

Monsters vs. Animals
A major difference between monsters and animals is numbers. Just about every monster we’ve heard of was a “one off,” meaning only one existed. The reason is the aforementioned purpose in a story—to teach a specific lesson that didn’t require more of them—and because they are abnormal, which by definition means uncommon.

Table of Contents

Creating Life TOC

Introduction

  1. Introduction
  2. Where to Start
  3. About Me
  4. Free Book
  5. Disclaimers
  6. The Chapters
  7. Templates and Newsletter

Chapter 1 - Why Build a World?

  1. Why Build a World?
  2. Using Analogues
  3. How Many Worlds?
  4. A Caveat
  5. A Question of Depth
  6. The Problem of Exposition
  7. The Value of Influences

Chapter 2 - Creating Gods

  1. Creating Gods
  2. In Science Fiction
  3. In Fantasy
  4. Pantheons
  5. Mythology
  6. Characteristics
  7. Behavior
  8. Where to Start

Chapter 3 - Creating a Species

  1. Creating a Species
  2. Species or Race?
  3. Should You Create Your Own Species?
  4. Habitat
  5. Disposition
  6. Appearance
  7. Gods
  8. Characteristics
  9. Worldview
  10. Relationships
  11. Supernatural
  12. Technology
  13. Combat
  14. The Value of Influences
  15. Where to Start

Chapter 4 - Creating World Figures

  1. Types
  2. Fame
  3. Dead or Alive
  4. Possessions
  5. Steeds and Ships
  6. Relationships
  7. History
  8. Where to Start

Chapter 5 - Creating Monsters

  1. Creating Monsters
  2. Defining Monster
  3. Origins
  4. Habitat
  5. Motivation
  6. Characteristics
  7. Where to Start

Chapter 6 - Creating Plants and Animals

  1. Should You Create Plants and Animals?
  2. Plants
  3. Animals
  4. Purpose
  5. Where to Start

Chapter 7 - Creating Undead

  1. Creating Undead
  2. Should You Create Undead?
  3. The Mind
  4. Classification
  5. Numbers
  6. Prerequisites and Prevention
  7. Time Dead
  8. Origins
  9. Goals
  10. Appearance
  11. Traits
  12. Death
  13. Where to Start

Appendices - The Templates

  1. God
  2. Species
  3. World Figures
  4. Monster
  5. Plants
  6. Animals
  7. Undead

Creating Places TOC

Introduction

  1. Introduction
  2. Where to Start
  3. About Me
  4. The Chapters

Chapter 1 - Case Studies

  1. Two Straits and a Sea of Enemies
  2. Stopping an Empire
  3. Mountains and Murder

Chapter 2 - Creating a Planet

  1. Creating a Planet
  2. The Sun
  3. Moon(s)
  4. Other Planets
  5. Stars
  6. Asteroids and Comets
  7. A Planet

Chapter 3 - Creating a Continent

  1. Creating a Continent
  2. Multiple Continents
  3. Which Hemisphere
  4. Plate Tectonics
  5. Seas vs. Oceans
  6. Bays and More
  7. Islands
  8. Where to Start

Chapter 4 - Creating Land Features

  1. Creating Land Features
  2. Mountain Ranges
  3. Water
  4. Forests
  5. Prairies/Grasslands
  6. Wetlands
  7. Deserts
  8. Settlements
  9. Where to Start

Chapter 5 - Creating a Sovereign Power

  1. Sovereignty
  2. Roles
  3. Branches of Government
  4. Parliamentary Systems
  5. Government Types
  6. How Many Powers to Invent
  7. Invent for Today
  8. Population Count and Type
  9. World View
  10.  Location
  11.  Relationships
  12. Ways to Identify a Power
  13. Reputation
  14. Where to Start

Chapter 6 - Creating a Settlement

  1. Creating a Settlement
  2. Location
  3. The Population
  4. Zonings
  5. Settlements Types
  6. Defenses
  7. History
  8. How It Is Known
  9. How Many Places to Create
  10. Where to Start

Chapter 7 - Travel over Land

  1. Travel over Land
  2. Mode of Travel
  3. Obstacles
  4. Calculation Preparation
  5. Calculations
  6. The Template

Chapter 8 - Travel by Water

  1. Travel By Sea
  2. Some Terms
  3. Ship Rates
  4. Ship Types
  5. Privateer
  6. Ship Speeds
  7. Weapons
  8. Personnel
  9. Where to Start

Chapter 9 - Travel in Space

  1. Travel in Space
  2. The Realities of Space
  3. Propulsion
  4. Distance
  5. Ship Structure
  6. Where to Start

Chapter 10 - Creating Time and History

  1. Creating Time and History
  2. Sample Entries
  3. Creation Myths
  4. Time
  5. Uses for History
  6. Event Categories
  7. Where to Start

Chapter 11 - Creating Places of Interest

  1. Creating Places of Interest
  2. Ordinary Ones
  3. Extraordinary Places
  4. Phenomena
  5. Ruins
  6. Shipwrecks
  7. Event Sites
  8. Meteors
  9. Where to Start

Chapter 12 - Drawing Maps

  1. Drawing Maps
  2. Continental Maps
  3. Drawing the World
  4. Settlement Maps
  5. Dungeon/Ship Maps
  6. Map Generation Software

Appendices - Templates

  1. Sovereign Powers Template
  2. Settlement Template

Cultures and Beyond TOC

Introduction

  1. Introduction
  2. Where to Start
  3. About Me
  4. Free Book
  5. Disclaimers
  6. The Chapters
  7. Templates and Newsletter

Cultures

  1. What is Culture?
  2. Culture Depictions
  3. Creating Culture
  4. Where to Start

Organizations

  1. Group Types
  2. Common Traits
  3. History
  4. In and Out
  5. Where to Start

Armed Forces

  1. Locations
  2. Their Weapons
  3. Their Defenses
  4. The Road to Becoming One
  5. Identifiers
  6. Those Who Serve
  7. History
  8. World View
  9. Where to Start

Religions

  1. Overview
  2. History
  3. Beliefs
  4. Names
  5. Followers
  6. Worship
  7. Locations
  8. Identifies
  9. Clergy
  10. World View
  11. Combat
  12. Afterlife
  13. Where to Start

The Supernatural

  1. Supernatural Energy
  2. Magic Paths
  3. Alternate Realities
  4. Supernatural Beings
  5. Prevalence
  6. The Impact
  7. Where to Start

Systems of Magic

  1. Principle of Good Magic Systems
  2. Do We Need a Magic System?
  3. Types of Magic
  4. Magic Prevalence
  5. Where Does Magic Come From?
  6. Social Aspects
  7. What's in a Name?
  8. Are Spells Needed?
  9. The Life of Wizards
  10. Creating Limits
  11. How to Invent Spells
  12. Where to Start

Items

  1. All Items
  2. Regular Items
  3. Magic Items
  4. Technological Items
  5. Where to Start

Languages

  1. Should We Create One?
  2. The Medium
  3. Our Options
  4. How to Hire Someone
  5. Where to Start

Names

  1. People Names
  2. Place Names
  3. Uniqueness
  4. Leveraging Existing Names
  5. General Tips
  6. Techniques for Inventing Names
  7. Name Generators
  8. Where to Start

Other Systems

  1. Education Systems
  2. Health Systems
  3. Legal Systems
  4. Commerce
  5. Information Systems

Conclusion

  1. Goals
  2. Abide By Rules
  3. Tying It All Together
  4. Approaches
  5. Top Down
  6. Bottom Up
  7. Random
  8. What to Do?
  9. File Storage
  10. Get Organized
  11. World Building Coalitions
  12. Last Words

Templates

  1. Culture
  2. Organizations
  3. Armed Forces
  4. Religions
  5. Supernatural Energy
  6. Supernatural
  7. Magic Systems
  8. Spells
  9. Legal
  10. Monetary
  11. Education

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Customer Reviews

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M
Mark Davis
The authoritative source

I have various other books on this subject, but volumes 1-3 of this are still the best worldbuilding books around. They're more thorough and detailed. It's obvious Ellefson has actually done everything in these books and really knows what he's talking about.

C
Christopher Price

The Complete Art of World Building

C
Clay Sharps
Grand daughter

I bought the set fot my ilfest Grandaughter, She thinks they are fantastic and has already been using what shes learned to improve her story telling.